Description

Contents:  Artist Statement
                    Process and Techniques

 
Artist Statement

The richest working moments for me are when an unexpected emotional trigger connects with a visual memory. An initial flurry of creative activity is followed by months of steady work to find the resolved form. This internal drive often parallels (unconscious) states of mind while the visual inspiration may be sourced from walks in the Yorkshire countryside absorbing the views of rock formations, the folding hills, stone walls, tree bark, twigs, pools…… I have also sought inspiration from ancient artifacts, Classical and 20th century sculpture, but rarely from the world of ceramics, other than the work of Hans Coper.

Those art works that I am most drawn to have a clarity of line or a strong underlying geometry. I am concerned with space, both within and around the form; attempting to express a sense of quiet tension and also centredness within one abstract form, whether it is a vessel or sculpture. More importantly, the work has a non-visual dimension that combines qualities of discipline and freedom, of holding and letting go. This gives the work a sense of having its own energy, separate from the maker. I aim for these qualities in my own work, and I hope that each work appears to sit lightly as if poised in space.

My working methods include forms that are thrown and altered, hand modelled, coiled in white stoneware. All surfaces are burnished; smoke fired and finally wax polished. This low technology aspect to the working process is something I relish, because it generates a simplicity, order and quietness. There is a natural rhythm to the transformation from soft clay to the hollow fired form. The smoke fired finish combined with bold shapes may produce a translucent and timeless sense.

Initial studies in form and space led me to study Geography at Sheffield University and subsequently at Harrow School of Art. After travelling and painting in the Middle East and India I set up my first workshop, in 1985, in London. Since then I have returned to Sheffield and have consistently exhibited in Britain, Europe and USA.

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